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Extra info for Brodsky’s Poetics and Aesthetics
1910-1922. A. Nilsson, 'The Dead Bees: Notes on a Poem by Nikolaj Gumilev', Orbis Scriptus: Festschrift fur Dimitrij Tschizevskij zum 70. Geburtstag (Munich, 1966) pp. 573-580. CCPL: 229. In 'Slovo i kul'tura', Mandelstam wrote: 'Ne trebuite ot poezii suguboi veshchnosti, konkretnosti, material'nosti. Eto tot zhe revoliutsionnyi golod' (SK: 42) ('Do not ask of poetry any particular substantiality, concreteness, materiality. ) This injunction was directed at the 'doubting Thomas', who looks for the consolations of proof and causality.
Reads: 'Chelovek umiraet. Pesok ostyvaet sogretyi'. ('Man dies. ) Line 12 of 'Venitseiskoi zhizni mrachnoi i The Complicity of the Real 27. 28. 29. 30. 31. 32. 33. 34. 35. 36. 37. 31 besplodnoi ... ' 'Of gloomy and barren Venetian life ... ') (1920) reads: 'Umiraet chelovek'. ). Nse. Ia tozhe umru'. 'Natiurmort', Section 2. Here 'Derevo' ('Tree') stands, as it were, at the top of the organic line, whereas 'Zemlia' ('Earth') (which holds the roots of the tree) reaches down into the next line of the stanza.
See M. Vasmer, Etimologicheskii slovar' russkogo iazyka, I (A-D) (Moscow, 1964), p. 100. See note 14 supra. 1910-1922. A. Nilsson, 'The Dead Bees: Notes on a Poem by Nikolaj Gumilev', Orbis Scriptus: Festschrift fur Dimitrij Tschizevskij zum 70. Geburtstag (Munich, 1966) pp. 573-580. CCPL: 229. In 'Slovo i kul'tura', Mandelstam wrote: 'Ne trebuite ot poezii suguboi veshchnosti, konkretnosti, material'nosti. Eto tot zhe revoliutsionnyi golod' (SK: 42) ('Do not ask of poetry any particular substantiality, concreteness, materiality.