Bob's Burgers 4 by Jeff Drake, Justin Hook, Rachel Hastings, Chad Brewster,

By Jeff Drake, Justin Hook, Rachel Hastings, Chad Brewster, Mike Olsen

http://www.comicvine.com/bob-s-burgers-4/4000-470439/

Five never-before-seen tales from the Belcher family members! Tina is going Gothic… and by accident unleashes a perilous Franken-Butt; Louise discovers what it’s wish to disappear; Bob turns a few of his favourite movies into burgers; Linda offers a demo tape and a few album paintings; and Gene unveils “Chupacabra-Cadabra, The Musical.”

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203–335) where the crew of Odysseus are given a potion that changes them into animals. This particular painting not only shows the transformation of the sailors but also depicts the escape of Eurylochos who warns Odysseus, and on the other side of the painting, the return of Odysseus armed and ready to confront the sorceress Circe. The use of conflation is a way of expanding the immediate narrative action to convey broader narrative meanings. By conflating the action to include Odysseus, the story is not just about the fate of the indulgent sailors but also conveys the sober intervention of their quick-thinking captain.

The design on the amphora by Exekias depicts the tragic moment when in the heat of battle Achilles meets the Amazon Penthesilea and kills her. This much is clearly evident in the design with the warrior queen at the mercy of Achilles, but a more nuanced look at the figures shows Penthesilea turning back to look at him. A fateful gesture, as Achilles falls in love with her; but it is too late for him to check his battle fury, and she dies by his hand. Exekias’s choice of this particular moment would not have been lost on the ancient Greeks, who were well versed in this story from the Trojan War.

While employed at Fort Sill, Oklahoma, Silver Horn began to experiment with keeping a daily visual journal of his life recorded in a recycled record book for target practice. One hundred and nineteen pages were drawn in a continuous narrative style utilizing a line that folded back and forth from one page to the next indicating days, weeks, special events, and both Kiowa and Western months from the years 1893 to 1897. His Target Record Book is a unique diary adapted from the Kiowa Winter Count tradition of painting where an owl indicates a death; but unlike traditional winter count drawings which simultaneously represent all the year’s events, Silver Horn invented a linear narrative design representing his daily life.

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