By Kevin F. McCarthy
The nonprofit arts at present face an atmosphere that demanding situations the way in which they've got grown and increases the possibility of destiny consolidation. The authors specialize in the connection one of the parts of neighborhood groups' arts ecology and increase a brand new framework for comparing platforms of aid to the humanities. They then use this framework to evaluate the strengths and weaknesses of Philadelphia1s arts region.
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Additional info for Arts and Culture in the Metropolis: Strategies for Sustainability
2005). robin-bobin 26 robin-bobin Arts and Culture in the Metropolis: Strategies for Sustainability cent). Unlike the other groups, the central cities in this group grew at approximately the same rate as their metropolitan areas as a whole. There are also signiﬁcant diﬀerences in the socioeconomic proﬁles of their populations. The mature regional centers rank highest on median family income, percentage of the adult population with a college degree, and proportion of the employed population working in professional and managerial occupations.
1 Percentage of Organizations in the Eleven Metropolitan Areas by Focus and Tax Status Arts Culture For-Proﬁt Nonproﬁt Total 6 5 11 <1 4 4 Entertainment 71 14 85 Total 77 23 100 SOURCE: 2002 Economic Census. 2 We do not mean to imply strict deﬁnitions of “arts” and “culture” here. We merely use these categorizations as an organizational tool. Similarly, the Economic Census data on “Entertainment” (Sector 71) does not include such entities as movie theaters, which one might consider entertainment but are instead classiﬁed as “Information” (Sector 51).
22 Detroit is again the one exception. Contributions total about 58 percent of the arts sector’s revenues. robin-bobin robin-bobin The Ecology of the Arts Sector 31 arts funding in these communities suggest that successful fund-raising strategies must be adjusted to the opportunities presented in the local environment. In the next chapter, we turn to a more detailed discussion of how individual communities have responded to the challenges facing their arts sectors. robin-bobin robin-bobin robin-bobin robin-bobin CHAPTER FOUR Community Responses Introduction The changes in the environment described in previous chapters have raised challenges not only for individual arts organizations but also for local arts ecologies as a whole.